ren amamiya (au) (
willowandoak) wrote in
personavelvetroomdr2024-06-01 06:38 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
my montage of lost things, my shining trinkets of grief
((cw: hallucinations, panic, the general poor mental state of someone with a Palace))
Ren is not exactly at his most presentable. Like, yeah, he's clean and dressed, but that's about all you can say for him. His hair is a snarl of tangles, his skin is unhealthily pale, he holds himself rigidly, and the shadows under his eyes are so dark that it looks like they might never leave. And he knows he looks bad, but by now he's beyond caring. With everything that's happening to him, someone judging his hair is the least of his fucking concerns.
He doesn't usually like to go out, these days. A lot can happen when he's out of his apartment. Too many things he can't control, and too many places that remind him of home, which lately is to be avoided at all costs. But his apartment isn't much better. There's nowhere he can look where he hasn't seen Shido, or Akechi, or Shido and Akechi, or his parents or his orphanage directors or fuck knows who else. There's nowhere he can sit where he hasn't heard their voices. And when he's not hallucinating, he's alone with his thoughts, which is worse.
All that is to say, there was a whole thing earlier where he felt like he couldn't breathe, and it sucked, but it's over now! He's fine. Still, it made him want to get out of his apartment. So here he is, out in Shibuya. And outside has turned out to be as vertiginous and full of danger as he was afraid of, but, well. At least it's different.
1. all the things that i ran from i now bring as close to me as i can
He stands with his back to the wall of a storefront and searches the constant stream of passing cognitions. His expression is fraught. He knows he hasn't really been seeing people from his past, he's not stupid, but the idea of being blindsided by a hallucinatory Shido or orphanage director amidst the crowd is terrifying enough to keep him rooted in place, watching endlessly.
2. gripping hotel sheets with gritted teeth
He's finally escaped the crowds. Curled up on the grimy concrete in a Shibuya alleyway, his knees to his chest and his back once again pressed to the wall, he tries to calm down. Akechi made him breathe, that time when he freaked out in his Palace. He tries to match the rhythm he remembers, but it just makes him think about the Palace, so he abandons that plan almost at once and goes back to waiting out the terror. He'll be fine if he just grits his teeth and endures it. That... usually works, anyway.
Ren is not exactly at his most presentable. Like, yeah, he's clean and dressed, but that's about all you can say for him. His hair is a snarl of tangles, his skin is unhealthily pale, he holds himself rigidly, and the shadows under his eyes are so dark that it looks like they might never leave. And he knows he looks bad, but by now he's beyond caring. With everything that's happening to him, someone judging his hair is the least of his fucking concerns.
He doesn't usually like to go out, these days. A lot can happen when he's out of his apartment. Too many things he can't control, and too many places that remind him of home, which lately is to be avoided at all costs. But his apartment isn't much better. There's nowhere he can look where he hasn't seen Shido, or Akechi, or Shido and Akechi, or his parents or his orphanage directors or fuck knows who else. There's nowhere he can sit where he hasn't heard their voices. And when he's not hallucinating, he's alone with his thoughts, which is worse.
All that is to say, there was a whole thing earlier where he felt like he couldn't breathe, and it sucked, but it's over now! He's fine. Still, it made him want to get out of his apartment. So here he is, out in Shibuya. And outside has turned out to be as vertiginous and full of danger as he was afraid of, but, well. At least it's different.
1. all the things that i ran from i now bring as close to me as i can
He stands with his back to the wall of a storefront and searches the constant stream of passing cognitions. His expression is fraught. He knows he hasn't really been seeing people from his past, he's not stupid, but the idea of being blindsided by a hallucinatory Shido or orphanage director amidst the crowd is terrifying enough to keep him rooted in place, watching endlessly.
2. gripping hotel sheets with gritted teeth
He's finally escaped the crowds. Curled up on the grimy concrete in a Shibuya alleyway, his knees to his chest and his back once again pressed to the wall, he tries to calm down. Akechi made him breathe, that time when he freaked out in his Palace. He tries to match the rhythm he remembers, but it just makes him think about the Palace, so he abandons that plan almost at once and goes back to waiting out the terror. He'll be fine if he just grits his teeth and endures it. That... usually works, anyway.
no subject
Bone-deep shame wars with a pathetic level of relief. "Akechi," he says hoarsely. "Hi. Did you say something?"
He thinks he saw Akechi's lips moving. And maybe he heard his voice, faintly, under all the shouting? He's not sure.
no subject
He offers his hand, for Ren to take or not; his skin gleams pale blue in the shadows.
no subject
"How's things...? Things are great. Thanks for—for a bleeding shitting fuck's sake, shut the motherfuck up," he snaps, because now his father is on his ass for his slimy, lying nature, as if Akechi was ever going to believe that when he fucking said it.
Telling them to be quiet has no effect. It never does. Ren doesn't even know why he bothered. In exhaustion, he takes Akechi's hand.
no subject
"They're being loud this evening, huh?" Obvious, sure, but obvious is good at times like this. Perhaps the warmth of his hands can draw Ren back down.
no subject
His hand closes around Akechi's. That, at least, is comforting. He's like a tiny child. His parents agree, loudly.
no subject
Side by side, he stares up at the crack of sky visible between the tall buildings, still holding Ren's hand. Whatever. He can get as many clothes as he wants.
no subject
The words are on his lips again. Help me. Do whatever you want to do so badly, just make it fucking stop. But the thought of saying them makes his stomach roll, never mind what would come after.
"Hey," he says instead, staring at the grimy wall across from them. "Do you know what my distortion is? Not, like, the keywords."
no subject
Because it seems so obvious. Even their current situation is part of it, as clear as day. Ren's distortion ties into it. Almost everything he says is part of it, has been since Akechi got hereāand even before, he thinks, looking back. Was it happening all the time they knew each other?
"Can I ask you something instead? I know, I know, but...." He takes a breath. "Why are you here? In this alley, I mean. Is it Iwai?"
no subject
"No. I just didn't like all the people on the street. It's... I don't know. Safer here."
no subject
"Do you remember that thing we agreed not to talk about? About how you were going to run when we get back, and I was going to have to let you."
no subject
no subject
"It's why your keywords are as they are. Why Mementos would be your home, the place you belong. Because why was it that Mementos was safe for you, Ren? There were no other people there. Nobody who might see you for what you believe you are." And there it is.
no subject
How is it a distortion to think Mementos is safe because no one is there to see him? That's just true.
no subject
no subject
"That's not a distortion. That's just a fact...?"
His voice trails up at the end, an accidental question. He winces.
no subject
He takes a breath. "Or that nobody could value you for what you are?"
no subject
no subject
One more breath. One god to hear him, if Ren still can't. "That's your distortion, Ren. Your worthlessness. Your lack of belonging. It's not real."
no subject
"Akechi," he says at last. His tone is almost gentle. "I'm a murderer. I think if I hadn't come here, I'd have tried to kill you. Not to mention all the other shit I've done. I'm not, like, an abuse victim or something that someone's been lying to. It's just really like that for me."
Even his parents knew. They were onto something, getting him out of their house.
no subject
Well. That won't have helped, he thinks, lifting one hand to rub his eyes. "You mind if I refer to something I saw in your Palace? It's just that... I really want to know."
Because he cares. Because Ren has value to him; he has worth.
no subject
He's less happy about the Palace mention, but he doesn't have the heart to tell Akechi no. "Sure."
no subject
His question is softer. "Who told you you were a murderer, Ren? I saw that in there. One of the things you kept deepest in your heart. Was it Shido?"
no subject
Unfortunately, the question he has asked is almost as bad. Ren curls in on himself a little tighter. "Yeah."
no subject
"But why did he need to tell you? Surely you knew what you had done? Or did you?" No, Shido will have done it to control him, to turn a boy into a weapon, or Goro knows nothing about him and his kind.
no subject
"I knew something happened to them. I didn't know about the fucking... brain death. And drowning, or whatever. All I'd ever heard was they got sick."
His orphanage director had still been alive when he escaped, after all. In a bad state, apparently, with blood coming out of the orifices and so on, but people were freaking out for that reason. Not because he'd died.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
gore, suicidal ideation
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
cw sa
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)